As the title suggests, Behind the Candelabra, in part, is about deception. The archetype for twentieth-century flamboyance, Liberace (Golden Globe winner Michael Douglas), refuses to age in front of his audience with the aide of numerous plastic surgeries, wigs, and makeup. His lover cum adopted son – sorta – convinces himself that he is the only one […]

 

 

Despite Alex Pettyfer’s presence as Adam, Magic Mike is not about the beginning of a male stripper who is down on his luck and just plain lazy. I’m not even sure it’s really about being a male stripper – much like Boogie Nights isn’t just about being a porn star. While Paul Thomas Anderson’s film is better […]

 

 

From the cuts between time differentiated by the presence of bruises and broken bones, to the seamless transitions from black and white shootouts to crimson-tinted, slow-motion shots of the prelude and aftermath of carnage, Haywire is vintage Soderbergh – perhaps most in its minimalistic qualities. There are plenty of aesthetic touches and attention paid to detail, whether it […]