From the cuts between time differentiated by the presence of bruises and broken bones, to the seamless transitions from black and white shootouts to crimson-tinted, slow-motion shots of the prelude and aftermath of carnage, Haywire is vintage Soderbergh – perhaps most in its minimalistic qualities. There are plenty of aesthetic touches and attention paid to detail, whether it […]
The third week in January appears to be all about kicking a little ass. I suppose Contraband started the trend last week as the lone exception to the horror movie flood of early January, but this week seems to be all about violence and redemption. Haywire: First of all, you’ve got to love the preview: classical music plays […]