Foxcatcher chronicles the tragic partnership of multi-millionaire John Du Pont (Steve Carell) and brothers Dave (Mark Ruffalo) and Mark Schultz (Channing Tatum), Olympic medalist in wrestling from the 1980 and 1984 games. Recently, the real Mark Schultz has gone to Twitter and Facebook to condemn director Bennett Miller’s depiction of suggested homoeroticism between Mark and John. I’m […]

 

 

Every time you sit down for a movie, whether it’s in the theater or your home, you have a preconception about what’s going to run on that screen for the next two hours. The previews certainly influence this. So do the cast and their filmography. Perhaps the writer has a trope that just won’t die. Or, a […]

 

 

The Watch: Tower Heist has made me wary of Ben Stiller movies, but the recent New Yorker article about his attention to script detail and his desire to make more movies like Greenberg and The Cable Guy make me want to see this. Sure, it’s another alien-invasion film, but at least it wasn’t released during the Great […]

 

 

Despite Alex Pettyfer’s presence as Adam, Magic Mike is not about the beginning of a male stripper who is down on his luck and just plain lazy. I’m not even sure it’s really about being a male stripper – much like Boogie Nights isn’t just about being a porn star. While Paul Thomas Anderson’s film is better […]

 

 

In one sense, 21 Jump Street is retelling of The Prince and the Pauper wherein economic disparities are replaced by the gulf between the socially admired and the socially anemic. Truthfully, I was expecting little from the large-screen adaptation of the 1980’s television series about undercover police officers who infiltrate reprobate-filled highschools. However, this film is less longer […]

 

 

The eighties are alive in 2012, or at least, the memory of the eighties is. If you’re not up for a comedic imagining of police officers infiltrating inner city schools, check out Jason Segal’s latest or Adrien Brody’s turn as a widget educator, momentarily changing lives in an interchangeable occupation. If you’re up for an adventure, or […]

 

 

From the cuts between time differentiated by the presence of bruises and broken bones, to the seamless transitions from black and white shootouts to crimson-tinted, slow-motion shots of the prelude and aftermath of carnage, Haywire is vintage Soderbergh – perhaps most in its minimalistic qualities. There are plenty of aesthetic touches and attention paid to detail, whether it […]