In what might be the most beautifully shot Best Picture nominee of 2010, 127 Hours establishes Danny Boyle as a king of symbology from the opening triptych sequence that gives offers examples of technology, religion, neon-laden businesses, devices of our consumption and a lone Aron Ralston (James Franco) driving a car. Solidly edited, the images pit Ralston’s sole […]
Might as well keep up tradition here on Gladiators. The nominations for Best Picture were announced yesterday, and while The Town was a surprising omission, the ten nominees are at least worthy of a haiku — though I’m still skeptical about the validity of The Kids Are All Right. Just saying. Black Swan She transmogrifies to sultry insanity and sex […]
The first word out of my mouth after seeing a “great” movie is more often than not, an expletive. Followed by an exhale. I would’ve have thought with “The Social Network”, closing with The Beatles classic “Baby, You’re a Rich Man” would have evoked that emotion. It didn’t. It did however after Leo DiCaprio’s final line of […]